Saturday, August 15, 2009

Andrea Loefke: Materials mix with Imagination

...........once upon a time there was a world: whimsical, humorous, credulous, synthetic, intimate, alien, glittering, soft, innocent, humming and obscure.......... Miniature foam houses, with red staring eyes accumulate on a glittering swathe of land, and communicate to us through a speech balloon on the wall. Fluffy clouds are made of blue styrofoam and are “gasp” raining red string and nearby radiant barrier foil moulds into a mountain range, fenced in with an enormous neon-orange safety mesh and traffic cones.
In my work, fictional narratives, dream worlds with anchors in the real, occupy a space between familiarity and fantasy. The environments are systems – overlapping worlds, groups and subgroups that are juxtaposed and united through scale, color palette, sound, form, space, and material. With the continuous pushing and pulling among the elements of this vocabulary.

I am creating hierarchies of events and narratives, which compete and communicate, while these multiform assemblages often contain a strong sense of quiet foreboding – the primary narrative holds a secondary within. The groupings of objects and their placement within a particular space result in playful, mysterious landscapes, enticing the viewer into visual narrative journeys.

I develop pathways for the viewer to travel. I link micro with macro worlds, encourage a sense of irritation, and implied movement of the objects, and ask the viewer to relate oneself to the objects and the situations they present. I am interested to create a place, with the capacity to crack open a well of associations and allow the viewer to feel, to dream, to fantasize, be irrational, subjective and intuitive. Specific or vague personal memories are awakened. The viewer is asked to weave his or her own story and sensations, to believe and to wonder.

There are no words for what I am going to do. Things come together – one stone goes on top of the next - it feels like building. Materials, found, everyday objects and colorful, decorative supplies overflow the categorized shelves and bins in my studio. In fabricating these fairy-like worlds, I knit, cut, glue, sew, find, draw, construct, select, saw, paint, decorate, carve, combine and mold. Very often I start with a material, a feeling, a color, or a vague image. Obscure, intangible thoughts and sensations collect within my head and my body and step-by-step the work evolves, develops while making. In my work I am going on a journey, seeking to surprise myself.

About the artist

Andrea Loefke was born in Heidelberg, Germany. She currently lives and works in Brooklyn, New York and Leipzig, Germany. She has had numerous solo and group exhibitions, including (solo in 2008) “Folding an orange fish out of newspaper”, Downtown Gallery, University of Tennessee, Knoxville, TN; and “Folding an orange fish out of newspaper”, Kasia Kay Art Projects, Chicago, Illinois.
In 2007, Loefke had solo shows at the Michael Steinberg Gallery, New York, NY, and the Islip Art Museum, East Islip, New York. For more on her work and experience, check out her website at

Images from top to bottom:
1-2. The squirrels, hedgehogs, and rabbits are indeed harmless. November 2007
3-4. I hope you don't mind me talking about the best of both? February 2007.
5-6. Deerstand Series. March-Spetember 2007.
7-8. Folding an orange fish out of newspaper. April 2008.

Wednesday, August 12, 2009

Jacque Liu: Drawing and Place

Treppanhaus. (Staircase.) Graphite. Berlin, Germany.

Vertical Siding No. 1. Mylar, Paper. 24" x 24" x1".

Zugang. (access). Graphite. Berlin, Germany.

What is a Carriage House. Wood, paint, plastic. Detroit, MI. 2007.

Jacque Liu writes about the relationship between drawing and place.

Travel has played an important role in my life. Much of my work - whether site-specific installation or graphite lines on paper or constructing lines with paper itself - stems from a desire to understand the notion of place. This seems rooted in the ever-evolving condition of having relocated around the globe (born in Taipei, Taiwan; raised in St. Louis; two years of adulthood in Germany; four years in Detroit; now living in Philadelphia, et al).

To understand place, my eye gravitates to a more microcosmic scale, often focusing on architectural elements, such as windows, doors, vents, staircases, chairs and abandoned houses in the vastness of a cityscape. My work, following my eye, becomes an abstraction of details within my encountered landscapes.

The process is personal. I recast the imprints of my history of places, but I also re-contextualize a history (whether real or imagined) of the object or site at hand. The idea is to begin with the mundane and to give some new form of engagement to these objects and sites.
More can be seen on his work at

Ismet Jonuzi: Thoughts on Drawing

My drawing sometimes are part of my sculpture and sometimes are as a sketch of my sculpture projects but not necessary.

I try to express my feeling through line and form.

My artistic way is drawing as a start point.

Through drawing I try to materialize my confrontation in the space where I live and move as person, as artist, as a human.

Drawing, sculpture, line, form, and shapes I try to create my vision and my idea.

About the Artist:
Ismet Jonuzi lives in KOSOVA west Balkan and tries to express the how "we" live and die in this part of Europe.